Archive for January, 2012

Tulane-Siena Institute for International Law, Cultural Heritage and the Arts Announcement

January 31, 2012

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Tulane University Law School

[Non sibi, sed suis: Not for one's self, but for one's own]
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[Non sibi, sed suis: Not for one's self, but for one's own]

Summer Study at the Tulane-Siena

Institute for International Law,

Cultural Heritage, and the Arts

Dear Professor Ball,

[I would like to share with you an exciting program that we will offer in Siena, Italy this June. The Tulane - Siena Institute for International Law, Cultural Heritage and the Arts reinvigorates 20 years of cooperation between the University of Siena Facoltà di Giurisprudenza and Tulane University Law School. It offers the world's best program for the study of the complex and fascinating relationship between international law, art and cultural property that stands apart from all others.  There could be no better place to pursue such studies than in the artistic treasure that is Siena.      Although courses in the conventional sense will be held at the Facolta di Giurisprudenza, Siena and Tuscany will be the true classrooms, providing students with the opportunity to see and experience first-hand the issues that shape this field.  Classroom lectures are supplemented extensively with field trips to museums and private collections, and guest speakers to take full advantage of the program's location. While the program was designed for law students, graduate students in other disciplines- such as art, art history, archeology, and anthropology-are encouraged to attend. In addition to our diverse faculty, this allows the program to bring together not only international legal scholars, but also scholars with art history, archaeology and cultural heritage expertise in order to give students a multi-dimensional understanding of the subject matter.  In closing, let me encourage you to contact me or our program coordinator, Chana Lewis, personally by phone or e-mail should you have further questions about this terrific program. Please share this wonderful opportunity with anyone you feel may be interested. We would also be very grateful if you would post our attached flyer where it can be seen by interested students. Ci vediamo in Italia!]

Sincerely,

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James Gordley

Siena Program Director

W.R. Irby Chair in Law

Tulane University Law School

6329 Freret Street, Suite 255B

New Orleans, Louisiana 70118

(504) 865-5971 (office)

(504) 862-8855 (fax)

jgordley@tulane.edu<mailto:jgordley>

To remove your name from our mailing list, please click here<http://www.law.tulane.edu/abroadforms.aspx?ekfrm=16220>.

Questions or comments? E-mail us at chana.lewis@tulane.edu<mailto:chana.lewis> , call 504-865-5990 or visit our website: http://www.law.tulane.edu/abroad<;http://www.law.tulane.edu/abroad>

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Weekend Welding Workshop

January 31, 2012

Hi!
Interested in learning welding?
I am teaching an intensive welding workshop this weekend Feb 4 & 5 at SVA’s excellent new Sculpture facility.
Open to all levels. You do not need to be a matriculating SVA student to sign up.

Consider this class if you would like to:

  • learn MIG and Arc welding for the first time
  • brush-up on existing knowledge & skills if you have previously welded
  • target a specific advanced technique
  • complete a basic welded project
  • have fun and challenge yourself- of course!!

This link has the class details and registration info:
http://www.schoolofvisualarts.edu/ceCourseFinder/app?sCourse=FSC-2468-A

Feel free to pass along this email to anyone you feel would be interested. Thanks!
best.
Marsha

COME MEET Brooklyn College Candidates for a new Professor in Painting

January 31, 2012

The Search Committee for a new Professor in Painting at Brooklyn College has organized four talks with the candidates. Please come and see their work and their ideas! Undergrads especially – your input is welcome! The following times have been reserved:

Feb 9, 12:15 Keith Mayerson, 5313 Boylan

Feb 16, 10:15 Ezra Johnson, 5207 Boylan

Feb 16, 1:15 Mike Cloud, 5313 Boylan

March 1, 12:15 Jane Fine, 5313 Boylan

da Centotto: A Show at Centotto, Another at Norte Maar

January 25, 2012

*Centotto // esibizioni, aperture, mostre / notizie circostanti
*

Salve,

Allow me to succinctly announce the next exhibit at Centotto, *Courtesy
Roman Abramovich: The First Unveiling*, a *simposio* show that is
ostensibly superficial though fundamentally quite the opposite.

Saturday, 18 February 2012, 7-10pm. More details, though likely not much
less obfuscatory, at centotto.com.

In the meantime, I would be delighted to see you for the opening of *Appearance
Adrift in the Garden*, an exhibit of my artwork at Norte Maar.

Opening Friday, 3 February 2012, 6-9pm. More details, and now properly
so-called, here.<http://nortemaar.org/projects/paul-dagostino-appearance-adrift-in-the-garden/>

*Mille grazie*,

Paul

*Centotto :: galleria [simposio] salotto*
250 Moore Street, #108
Brooklyn, NY 11206
centotto.com

Invitation to “Eclectic: a Group Show” – Prof. Doug Schwab

January 25, 2012

Doug Schwab

Art History Lectures at the Graduate Center: Spring 2012 Rewald Seminars

January 25, 2012

Rewald Seminars

Spring 2012

A research seminar series organized by the

Ph.D. Program in Art History, CUNY Graduate Center

6.30-8pm Tuesdays, Room 3416

7 February Cynthia Hahn, Hunter and CUNY Graduate Center, Art History: Cross: Thing and Not-Thing

21 February Jean-Louis Cohen, Institute of Fine Arts, New York University: Le Corbusier: Landscapes for the Machine Age

6 March Ara Merjian, New York University, Italian Studies/Art
History:
Towards a Theory of Free and Indirect Painting: Giorgio de

Chirico’s Philosophical Promenade

20 March Ivone Margulies, Hunter and CUNY Graduate Center, Film
Program: Reenactment and A-filiation in Contemporary Cinema

27 March Cary Levine, University of North Carolina, Chapel Hill, Art
History: Pay for Your Pleasures: The Art of Mike Kelley, Paul McCarthy and Raymond Pettibon

24 April Meredith Martin, Wellesley College, Art History:
Art, Diplomacy, and Global Trade in France from Louis XIV to the

Revolution

8 May Juan José Lahuerta, Barcelona School of Architecture:

Gaudi and the “patisserie Barcelone”: Elitism, Bohemianism, Fashion and Caricature

New Tours at the Brooklyn Museum

January 24, 2012
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Brooklyn Museum

Tours bring art and ideas to life each day at the Brooklyn Museum. Here are this month’s highlights.

Prof. Lenaghan at George Adams Gallery

January 23, 2012

Prof. Andrew Lenaghan exhibition of paintings at George Adams Gallery.
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Andrew Lenaghan, East River Park, 2011, oil on panel, 24 x 32 inches

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MAIN GALLERY
ANDREW LENAGHAN: RECENT PAINTINGS
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JANUARY 5 – FEBRUARY 18, 2012

OPENING RECEPTION: THURSDAY, JANUARY 26th, 6-8pm
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ANDREW LENAGHAN

During January and February the George Adams Gallery is presenting an exhibition of new smaller-scaled paintings by Andrew Lenaghan. The exhibition includes 19 cityscapes, landscapes, and interiors (with figures), all painted from life.

In his new paintings of Brooklyn, Lenaghan returned to several sites he previously depicted, notably the once empty lots and abandoned piers around North 8th Street, now East River Park, as well as the streets and yards near his home in the Midwood section of Brooklyn. In addition, Lenaghan has continued to introduce the figure and even narrative into his work. The exhibition includes several paintings featuring his wife and children in and around their house. Finally, there are four views of Santa Fe in the show, the results of a month-long stay and as is often the case, Lenaghan chose to depict some of the least likely sites, including a local cemetery and an abandoned housing complex.

This is Lenaghan’s tenth exhibition with the gallery since his debut in 1995. He is currently an adjunct art professor at Pratt, Brooklyn College, and New York Academy of Art, and is a 2011 recipient of the Joan Mitchell Foundation Painters and Sculptors Grant.

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Alfred Leslie, Janoslaw Leshko, 1976, graphite on paper, 40 x 30 inches (left); Alla Leshko, 1976, graphite on paper, 40 x 30 inches (right)

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DRAWING GALLERY
ALFRED LESLIE: FIGURE DRAWINGS, 1976 – 1983
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ALFRED LESLIE

In the Drawing Gallery and concurrent with the Lenaghan exhibition is a show of five figure drawings by Alfred Leslie. The exhibition is comprised of four signature portraits in graphite pencil, including two studies for his 9×24 foot triptych "Americans: Youngstown, Ohio" (1978), and a large charcoal study for an unrealized painting.

Leslie was a highly regarded Abstract Expressionist painter who began working figuratively in 1962. Along with Jack Beal and Philip Pearlstein, Leslie was for many years represented by the Allan Frumkin Gallery in New York.

Gallery hours are Tuesday-Saturday 10am-6pm and Monday by appointment. For further information, please visit the gallery’s website at georgeadamsgallery.com.

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MARTHA GRAHAM REHEARSALS

January 23, 2012

The Martha Graham FREE OPEN REHEARSALS will be held on the Main Stage at Whitman Hall on the following dates and times:

January 24, 2012 2:00-3:30 pm

January 25, 2012 3:30-5:00 pm

Januard 26, 2012 4:30-6:00 pm

Attendance is recommended.

Exhibition opportunity for Sculptors: Forged

January 23, 2012

The Torpedo Factory Art Center’s Target Gallery is excited to offer a
sculpture exhibition opportunity, Forged. We hope you will consider
entering! If you know of other artists that might be interested, please
forward this opportunity to them.

Thank you,

Target Gallery

Forged – Deadline for Entry: March 19th, 2012
Exhibition Dates: May 19th – June 24th, 2012
For more information or to apply online, visit our website at:
http://www.torpedofactory.org/galleries/targetcallforentry.htm

Description: This is a media specific sculptural exhibition that explores
the contemporary approaches to forged metal work. The work can range in size
with the stipulation that it incorporates forged metal elements. This is
open to all artists nationally and internationally.

Juror: Twylene Moyer
Twylene Moyer, managing editor of Sculpture magazine, has published numerous
articles and catalogue essays on contemporary art. She has been a featured
speaker at the Corcoran Gallery of Art and at SOFA Chicago and has juried
and curated several exhibitions, including ³Insight Out² and
³Disintegration² at the Arlington Arts Center. She is the co-editor of The
New Earthwork: Art, Action, Agency, A Sculpture Reader, Conversations on
Sculpture, and Landscapes for Art, all distributed by the University of
Washington Press.


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